As – alas – love dies, reserve
for me, dear lover, the last force
felt. Then blast, eject, preserve
each pique. Lovers gaze, adore,
(endear!?), and mourn, preserved
coy, in twain, blinking,
lay, at gibe, to dug rot.
Lit. Ex. (I)
As – alas – love dies, reserve
for me, dear lover, the last force
felt. Then blast, eject, preserve
each pique. Lovers gaze, adore,
(endear!?), and mourn, preserved
coy, in twain, blinking,
lay, at gibe, to dug rot.
Lit. Ex. (I)
Rules:
So soon? For newly wax before the sky
javelins firing in jets of night
zephyring toward the quiet moon.
Then our sail glides, limber or nude
to cover: an arc. A….
No, that won’t do. A blank page will never speak
the stirs of silence that will overtake
all sense, rather than just alleviate
the daily headaches of our Twitter feed.
Fine. I’ll try to show you what I mean.
You see? Here we are. Right back again
where we left it. Dry old patterns on a screen
(or page!?), type-faced. It simply does not work.
Like an interval within a play,
maybe. After B and A’s exchange
They take a break. You fill in every word
when “silence” is so much more. It is, I’d say,
This is a sequence of sonnets, all of which are missing one vowel, for pointless pretentious reasons that the Reader is best left to discover.
Grail Sonnet IV
Every other moment blue-grey slabs of stone
are sculpted as a monument of dawn
and she appears as clear as before –
but, because you haven’t ever loved a ghost
you get ready for another day alone.
But then you feel her press these marble claws
and hear her, gentle, enter through your core,
and occupy your body as a host.
You’ve never even loved a ghost before
and assumed somehow a ghost’s one human form
but her ghost’s every ghost you heard that day
or every sound that scraped the hard, stone floor
or other ghost that laboured to be born
under the sculpture of that blue-and-grey.